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![]() Chatwton House, |
Jane Austen Society of AustraliaChawton, Hampshire
Chawton Cottage, Jane Austens House MuseumThe house pictured here, fronts right onto the road which until recently led to Winchester. It has however a lovely garden, and the interior has many delights for Janeites. Here she lived for the last eight years of her life, and here she wrote her last three great novels Mansfield Park, Emma and Persuasion. The house is very much as it was when she lived there - the writing table where she wrote those last three texts, the donkey cart which carried her around when she was too ill to walk, and even the squeaking door which, legend has it, she left unoiled to warn her of people approaching, so that she could hide her writing under something before people actually entered. The resident trustee, Mr Tom Carpenter, has a theory about that squeaking door. It has usually been assumed to be the door leading from the street straight into the living rooms: Tom Carpenter believes that since any visitors using that front door would obviously knock, therefore giving the required warning for our modest author, it is probable that the squeaking door is actually the one leading to the servants quarters of the house, which does in fact (still) squeak, and would be more likely to have servants and family entering unannounced. A persuasive theory. Tom Carpenter is a most delightful, informative and welcoming trustee. The Granary, across the courtyard at the rear of the House, has been made over into a seminar room, where he addresses visiting groups on the museum aspect of the house, so that their visit will be made with somewhat more informed eyes. The memorabilia on sale in this museum is diverse: stationery, pictures, postcards, pens, bags, etc. much larger in scope of course, but similar to the items your Society has organised for you in our Regency Fair. Apart from the sheer atmosphere of the place, the house also contains some other real treasures. To name just a few: the topaz cross given to Jane by her brother, which perhaps prompted the Mansfield Park episode of Fannys similar gift from her beloved brother; the original statement of Janes assets at the time of her death mainly consisting of her earnings from her writings of nearly £600 or (by Tom Carpenters calculation) some £25-30,000 in todays values; music books, handwritten by Jane herself, which are extremely professional, and are increasingly being explored as another facet of her background and talent; costumes of the period, carefully preserved and displayed; and the most marvellous and comprehensive Jane Austen bookshop you could hope to find. The very efficient lady in charge of the bookshop, Ann Channon, combs the country for every book in print (and a few out of print), to complete her stock of new and some pre-loved works pertaining to the times, social history, music and literature of our favourite author (and cheerfully sends them home for Australian visitors who cant resist so much temptation). There seem to be many of these the turnover for the bookshop is very high, and the House hosts over 200 people EACH DAY, rising to up to 400 in holiday periods. The House is also a much-utilised source of illustrations and information for the spate of publications newly on the market. I would like publicly to express my appreciation of the welcome, information and time which Tom Carpenter, Jean Bowden and Ann Channon bestowed on your editor, so that I could report to our members. See Archivist Jean Bowdens report on the activities of the House, and two separate (but equally approving) reports from visitors, elsewhere in this Chawton feature. Helen Malcher |
![]() The
Drawing Room of the cottage at Chawton. |
A JASA member 'converts' an EnglishmanThis report from an outsider friend of member Mrs Dorothy Bell, who was her host in England. Dorothy Bell, on one of her recent visits to England, came to stay with us after her visit to Chawton and the home of Jane Austen. Her enthusiasm was infectious and my wife and I had to admit we had never been there, although it is only about a hundred miles from where we live in The Cotswolds. Naturally, we took steps to remedy this situation and went some months later. We took a pleasant pub lunch in The Grey Friar, just along the road (believe it or not, there is, immediately opposite Jane Austens House, an olde English tea shoppe called Cassandras Cup!). We spent the afternoon in the house, which, although not large, is of absorbing interest and full of interesting memorabilia. Indeed, we enjoyed our visit so much that we arranged to take 55 members of The Cotteswold Naturalists Field Club there last September. Mr T F Carpenter, the principal trustee, descended from the founder of the Jane Austen Memorial Trust, gave us an introductory talk in The Granary, after which we split up and wandered at will, some to the pretty garden, others straight inside. The house is late 17th century, of mellow red brick and in no sense grandiose. One enters at the side, through a small porch into the Drawing Room, which is furnished as it would have been in her time, as indeed is the rest of the house. This leads to the Dining Parlour, where the table is laid with Wedgwood. It is in this room that Jane wrote her novels at the little table by the window. Up the narrow staircase and one comes to Janes bedroom, which she shared with Cassandra. Next to it is Mrs Austens bedroom, while along the corridor is a room called the Admirals Room, housing artefacts belonging to Janes two sailor brothers. At the far end is a room housing a costume display. Everywhere there are numerous momentoes and souvenirs from Jane Austens stay here. The house has a charming lived-in atmosphere and one must congratulate the Memorial Trust for the effort they have made to bring this about. Should you visit England you must not fail to go there. Horace Meunier Harris |
![]() Janes
bedroom at Chawton. |
Letter from Jane Austens Houseby Jean Bowden, Archivist, Jane Austen Memorial Trust Dear Friends, When your editor, Helen Malcher, visited Jane Austens House recently, she persuaded us that you would be interested to hear news of life here these days. Well, I have to say that there is never a dull moment, and that no one day is ever like another! We have a small permanent staff at the museum Tom Carpenter is in charge of administration and curation of the collection. It was his grandfather, Mr T Edward Carpenter, who bought and endowed the house, and set up the Jane Austen Memorial Trust, in memory of his son, Toms uncle. Ann Channon is our assistant administrator, Anne Cooper combines work as a steward with research into some of the many queries which we get. Anns daughter helps with group bookings and other clerical work, and I have now stepped down as curator and have become the Trusts archivist I was curator here for ten years and used to live in the House, which was very enjoyable, but I now live in a little thatched cottage in Selborne, four miles away. Apart from all of us, we have about twenty stewards, some of whom come in one day a week, others one day every other week, some once a month which all sounds very complicated but works surprisingly well, as there is always someone available if anyone is off sick or goes on holiday. Mostly we have two stewards on each day, but we find nowadays that we need three, especially in the summer months, and at Bank Holidays we need more still. Ever since Andrew Davis version of Pride & Prejudice was televised in the (northern) autumn of 1995, the wave of enthusiasm for Jane Austen and her works brought so many visitors to the House that our numbers doubled, and the films of Persuasion, Sense & Sensibility, and Emma have kept up the momentum. Luckily, over the previous ten years, we had the whole house gradually restored, so that it has stood up to the onslaught extremely well, and only needs routine maintenance each winter, such as redecoration. In January of this year, we had a lot of work done in the garden. The whole property is only about an acre, and a lot of that is grassed, but there is still more than our one-morning-a-week gardener can cope with, so Ann and I help with planting out, each spring and autumn. We have a long narrow bed down the west side of the House, where we grow masses of winter-flowering pansies, and when they are over, we put in lots of petunias which can cope with hot sunshine (yes, we do get some!). When we are very busy at such times as Bank Holidays, to spread people out a little we have various entertainments out in the garden and in The Granary, which is our lecture room. One group of actors, called The Salon, dress up in Regency costume and show visitors how to write with a quill pen, or do embroidery and paint pictures, for example, and they chat to us, but only know up to about 1820! We also have a group who dance to the tunes which Jane used to play for her nieces and nephews. Some very talented musicians also play music from Janes music books, on old instruments. We have Morris dancers, all dressed-up with flowers in their hats (the men too!). One of my favourites is a farm cart drawn by an enormous shire horse which takes visitors on rides around Chawton village. At the moment, we are lucky enough to have a pelisse which belonged to Jane on display in our little costume museum. Now that we have all the right conditions for such a fragile and precious garment, its owners, Hampshire County Council, kindly lend it to us now and again. The other costumes in the display are of the Regency period, but have no connection with Jane Austen. The costume museum was set up a few years ago, when I realised that quite a lot of people imagined that Jane wore crinolines! I hope this account has given those of you who have not yet visited us, some idea of what there is to see, and maybe recalled happy memories for those who do know Jane Austens House. Jean Bowden |
![]() The tiny
writing desk from which Jane Austen produced her last three masterpieces. |
A day-trip to ChawtonA member writes his own report of a visit to the area: I went backpacking through the UK in January and February 1998, and the highlights of my vacation were Brontė and Austen country. For the latter, I had based myself in London and set out one day for Winchester, leaving Paddington early in the morning. After the two-hour train journey to Winchester, I strolled through the town looking at the King Alfred monument and the visitors centre. Then into the Cathedral, the highlight of which, for me, was Jane Austens tomb, in the north aisle midway between the Cathedral entrance and the altar. Later I walked across to the house in College Street a few blocks away, where Jane spent the last weeks of her life, with her sister Cassandra, until passing away on 18 July 1817 from the effects of Addisons Disease. The house is a private residence and not open to the public. After College Street, I took the local Stagecoach bus service (X64) to Chawton. The bus does not pass the cottage, one needs to alight at the big roundabout and walk for ten minutes to the village. After visiting the Jane Austen museum, I took a leisurely 20-minute walk from Chawton up to Alton. By then it was about 4pm, the sun was going, going, gone, and I took the train back to London. Owen Loney |
![]() Two views of Chawton House |
Sandy Lerner
at her 40-room, By Tracy A. Woodward/ |
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